New York

A line can be a mark on paper, a boundary, a record of movement—or a way of imagining infinity. In the work of Anna Maria Maiolino, the line becomes all these things at once: a trace of the body, a fragment of memory and a gesture repeated until it opens onto something larger than itself. At Hauser & Wirth’s New York gallery on West 18th Street, ANNA—And the Infinite Line brings together work spanning approximately six decades of Maiolino’s …

NEW YORK — A scream can be an act of resistance, a moment of desperation, or a spectacle designed to attract attention. In a culture where outrage travels through headlines, …

NEW YORK — What if a painting were less like a finished image and more like a living ecosystem—one shaped by chemical reactions, physical gestures, chance encounters, and the passage …

Opening November 5 in Long Island City, the landmark exhibition brings together more than 40 artists to reconsider how abstraction has shaped Black artistic expression, political imagination, and the history …

Few artistic relationships have captured the public imagination as powerfully as that of Frida Kahlo and Diego Rivera. Their marriage, separations, political commitments, and radically different approaches to painting have …

Samora Pinderhughes’s Call and Response at MoMA: Art as a Practice of Collective Healing Blending music, film, testimony, and community collaboration, the multidisciplinary artist transformed MoMA’s Kravis Studio into a …

What remains when an object is removed, a building changes, or a familiar place slips into memory? For British artist Rachel Whiteread, absence is not simply an emptiness. It has …

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Ophelia’s Secret: 500-Million-View Triumph

Ophelia’s Secret: How Taylor Swift Turned a Drowned Heroine Into a 500-Million-View Triumph Eight months. One song. Roughly half a billion views. “The Fate of Ophelia” did not just open

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